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Poveglia (/poʊˈvɛliə/ poh-VEL-ee-ə; Italian: [poˈveʎʎa]) is a small island located between Venice and Lido in the Venetian Lagoon, of northern Italy. A small canal divides the island into two separate parts. The island first appears in the historical record in 421, and was populated until the residents fled warfare in 1379. For more than 100 years beginning in 1776, the island was used as a quarantine station for those suffering the plague and other diseases, and later as a mental hospital. The mental hospital closed in 1968, and the island has been vacant ever since. Because of its history, the island is frequently featured on paranormal shows.

Visits to the island are prohibited, but various books and articles report on visits by writers and/or photographers. Believers in the paranormal have claimed that Poveglia is the most haunted island or the most haunted place in the world.

The island is first mentioned in chronicles of 421, when people from Padua and Este fled there to escape the barbarian invasions. In the 9th century the island's population began to grow, and in the following centuries its importance grew steadily, until it was governed by a dedicated Podestà. In 1379 Venice came under attack from the Genoan fleet; the people of Poveglia were moved to the Giudecca.

The island remained uninhabited in the subsequent centuries; in 1527 the doge offered the island to the Camaldolese monks, who refused the offer. From 1645 on, the Venetian government built five octagonal forts to protect and control the entrances to the lagoon. The Poveglia octagon is one of four that still survive.

In 1776 the island came under the jurisdiction of the Magistrato alla Sanità (Public Health Office), and became a check point for all goods and people coming to and going from Venice by ship. In 1793, there were several cases of the plague on two ships, and consequently the island was transformed into a temporary confinement station for the ill (lazaretto); this role became permanent in 1805, under the rule of Napoleon Bonaparte, who also had the old church of San Vitale destroyed; the old bell-tower was converted into a lighthouse. The lazaretto was closed in 1814.

The island was used as a quarantine station from 1793 until 1814.[1] In 1922 the existing buildings were converted into an asylum for the mentally ill and later used as a nursing home/long-term care facility, until its closure in 1968. Afterwards, the island was briefly used for agriculture and then completely abandoned.

The surviving buildings on the island consist of a cavana, a church, a hospital, an asylum, a bell-tower and housing and administrative buildings for the staff. The bell-tower is the most visible structure on the island, and dates back to the 12th century. It belonged to the church of San Vitale, which was demolished in 1806. The tower was re-used as a lighthouse.

A bridge connects the island on which the buildings stand with the island that was given over to trees and fields. The octagonal fort is on a third, separate island, next to the island with the buildings, but unconnected to it. The fort itself today consists solely of an earthen rampart faced on the outside with brick.

The island contains one or more plague pits. An estimate published by National Geographic suggest that over 100,000 people died on the island over the centuries and were buried in plague pits.[1] Another source, Atlas Obscura, provides an estimate of 160,000 people.[10]

News reports published in 2014/2015 confirmed that the building and rusting artefacts still existed.[11][12] The island contained dilapidated buildings including the church of St Vitale, a hospital, an asylum, and prison plus residential and office buildings.[7][13]

Some time after the island had become a quarantine station for ships arriving at Venice in the 18th century, a plague was discovered on two ships. The island was sealed off and used to host people with infectious diseases, leading to legends of terminally ill Venetians waiting to die before their ghosts returned to haunt the island.[2]

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THE BLU-RAY DISCby Bill Chambers Paramount brings The Wolf of Wall Street home in a bare-bones release that, as anticipated by all but a few chumps, does not contain any deleted scenes or additional footage incorporated into the body of the film. I'm sure Hell will freeze over before Scorsese restores this or Gangs of New York to their original length, though his availing deleted scenes to the public is not unprecedented, as the Cape Fear DVD and Blu-ray demonstrate, so maybe we haven't seen the last of this movie yet. At least the dearth of frills grants the 2.40:1, 1080p transfer of the film itself a generous 42GB berth, and the resulting image is above reproach. Practically a Star Wars prequel in its use of digitally-generated environments, and shot in a mix of Super35--sometimes with anamorphic lenses, for the focal distortions--and HD (the ARRI Alexa was reserved for low-light and greenscreen-heavy shots) by Argo DP Rodrigo Prieto, The Wolf of Wall Street nonetheless boasts a cohesive, credible, and cinematic Blu-ray presentation with glassy detail and supple dynamic range. Grain is extremely subtle, but any noise-reduction was surely done at the intermediate stage rather than after the fact, while an emphatic ruddiness to the skin tones seems to be a Scorsese signature of late (see: Shutter Island). Other than size, this is an insignificant downgrade from a DCP screening. The attendant 5.1 DTS-HD MA track is a 360° wall of sound whenever the offices of Stratton Oakmont erupt in mayhem, although dialogue is always very clear above the fray, including much throwaway ADR. Song reproduction, critical to a Scorsese mix-tape such as this, is excellent, crisp and full.

BD: 179 minutes; R; 2.40:1 (1080p, MPEG-4); English 5.1 DTS-HD MA, English DVS 5.1, French DD 5.1, Spanish DD 5.1; English, English SDH, French, Spanish subtitles; Region-free; BD-50; Paramount

The X-T3, X-T30 and X-T30 II boast very impressive continuous shooting speeds with the electronic shutter. You can shoot at up to 20fps at full resolution, or 30fps using the 1.25x crop mode and a reduced resolution of approximately 16MP. Note that AF and AE tracking are maintained at all speeds.

The electronic shutter provides a blackout-free live view of your scene with a refresh rate of 40fps or 60fps in crop mode. At the time of writing, the only other camera capable of delivering an uninterrupted live view at high burst speeds are the X-T4, Sony A9, A9 II, and A1.

Designed to be completely weather-resistant, it holds two additional batteries to increase the maximum number of shots to 1100, which can be useful for long days of shooting. The grip includes many of the controls found on the X-T3 body, including a shutter button, joystick, AE-L button, AF-L button, front and rear command dials, Q button and Fn button. 2b1af7f3a8

Shutter Island 1080p Ita 14 ((LINK))

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