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The Burden Scaricare Film

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Greetings again from the darkness. For someone to truly change their core being, they must have a reason. "Because it's the right thing to do" is usually not enough ... it must be something much deeper like self-preservation or love. For Mike Burden, self-preservation was what kept him loyal to the Ku Klux Klan, while love is what drove him to walk away. The film is based on a true story from 1996 in Laurens, South Carolina, and it's the feature film directorial debut of Andrew Heckler (who also wrote the screenplay).Garrett Hedlund plays Mike Burden, a war veteran and dedicated Klan soldier who helped open the Redneck KKK Museum. The leader of the local KKK chapter is Tom Griffin, played by Tom Wilkinson. Griffin is a despicable man and a father figure to Mike. The great Forest Whitaker (Oscar winner for THE LAST KING OF SCOTLAND, 2006) plays local Reverend Kennedy, who preaches love and forgiveness while leading his congregation in protest of the new museum.Poverty permeates the town of Laurens every bit as much as racism. Mike is employed by Griffin in his repo business, and drives around town in a truck advertising 'Plantation Concrete', a business name obviously selected for effect. These poor southern whites take out their frustrations on the only group they view as lower than themselves - local black folks.Mike's job has him crossing paths with Judy (the always excellent Andrea Riseborough), a single mom just trying to survive and raise her son the right way. Sparks fly between Mike and Judy, and she delivers an ultimatum. His choice to walk away from the Klan for love means his life, and Judy's, gets immediately much tougher. An extraordinary act of kindness from Reverend Kennedy has its own ramifications, and the complexity of racism begins to show.Supporting characters are played by Tess Harper (Tom's wife), musician Usher Raymond (Judy's friend), Crystal Fox (Reverend Kennedy's wife), and Dexter Darden (Reverend Kennedy's teenage son). Each of these characters offers a glimpse at how hatred evolves and perpetuates, especially in a poverty-stricken small southern town. Unfortunately, two hours is simply not enough to dig deep or make sense of systemic racism. However, personalizing the feelings can shine some light on the topic.Director Heckler met with Reverend Kennedy in the late 1990's and was able to write the story based on the conversations. As the film ends, we see actual clips of interviews with Reverend Kennedy, Judy, and Mike Burden ... leaving us to wonder if a stellar documentary might be buried in the video vault. The film was an audience winner at Sundance in 2018, and it appears 8-10 minutes have been edited out, leaving a better paced film. The hand-held camera work works against the natural drama and tension of most scenes, although the film does provide some insight into how a person might go about rehabilitating their own poisoned thoughts. And that's certainly worth a look.

Tzar: The Burden of the Crown is an RTS classic by Haemimont Games, originally released in 2000. A sinister evil has come to the peaceful kingdom of Keanor, a land of beauty, mystery and magic. The Palace lies in ruins as armies of malevolent warriors sweep through the countryside while the once-proud Imperial Guard cowers in fear. The citizens of Keanor flee their homes in terror, praying for the rise of the one true leader who, it was foretold, would lead them against the armies of darkness. Are you the hero they seek? Tzar puts you at the heart of the battle of good versus evil. Set in the real-time fantasy world of Keanor, where the sword is the law of the land, it is up to you to stop the armies of evil. Recruit, train and command vast armies of Knights and Archers, and build fantastic weapons to smash enemy defenses. Train your Wizards to unleash their arcane powers against your foes, or conjure mighty Dragons, Jinni, and Undead to do your bidding. Can you carry the burden of the crown?

Marya E. Gates is a freelance film and culture writer based in Los Angeles and Chicago. She studied Comparative Literature at U.C. Berkeley, and also has an overpriced and underused MFA in Film Production. Other bylines include Moviefone, The Playlist, Crooked Marquee, Nerdist, and Vulture.

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(A man travels to a nudist colony on melancholy business, before finding himself in the midst of a sweeping fable of life, death, rebirth, and balance with nature. Winner of the prestigious Cartoon d'Or in 2012, this film was an early experiment in directors Emma De Swaef and Marc James Roels's woolly aesthetic.)

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